The question of balance is a matter of legal jurisdiction, if we are talking UK production/broadcast then there are significant restrictions, the following is an excerpt from ITV guidance but similar applies to all UK production/broadcast:One advantage of a TV drama is that we don't seem to need to apply 'balance' as per a documentary or a news item.
There are plenty of people with ME we could make a dramatisation of showing how we were harmed over exercise as an example. The TV drama used the Fraser judgement as a positive climax to the story. If that hadn't happened there would be no drama and I guess no current Inquiry.
ITV Producers Handbook
"There are many different ways to tell a story, and all TV programmes are constructed to impose a coherent narrative on the material, and edited to tell that story in the most effective way. But programmes must not get factual information wrong, either by design or by sloppy research. They must not invent or fake events, or pass them off as being actuality, or present dramatised reconstructions of events as being actual events. The source and authenticity of any third party footage must be verified."
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Streaming services seem to have greater latitude even when made available in the UK for example Netflix's The Crown but then few people would take The Crown seriously in the way that "Mr Bates vs The Post Office" has been received by the UK media and public. And this speaks to the even greater issue of cultural and language reception.
On this forum we happily talk in English about a worldwide health problem and for us primary English speakers we talk as though the issues we identify are easily communicated globally - but of course that's just a matter of convenience and probably a touch of cultural arrogance given the often large cultural difference even within just the Anglophone world. On the forum we can muddle through those differences but story telling via media whether dramatisation or documentary has to be a contained narrative. So when talking about getting the media interested in ME/CFS we need to understand who the audience is intended to be and what the laguage and cultural limits are. "Mr Bates vs The PO" is a quintessentially UK story, in fact as told it is quintessentially English, it might get an audience outside the UK but for curiosity value not as an agency of social change.
With the audience limited by language and culture we are then presented by the question "who cares about this ?" is it really something that a cost preoccupied Producer is going to see having a justifiable audience ? Just because it matters to us, it doesn't mean that there is an audience of millions who want to watch another sad story about illness that has no final triumph, no outstanding heroes, no winners, and no giants that need to be slain ? Claims that treatments don't work are not exceptional and demonstration of harm requires evidence if it is to have transformative power. Real life names would have to be used and if we are talking about a UK focus, even Netflix might baulk at taking on the attack dogs of UK libel lawyers supported by the testimonies of a raft of UK medical great and good.
I think "Mr Bates vs The Post Office" is best viewed as Unicorn - a rare creature that happened to hit a sweet spot, certainly it's useful as a case study but I think it tells us more about what the media doesn't offer, than what it does.