Day of Infection
Felicia Zeller
World Premiere
The healthcare and pension system is highly complex.
It is opaque, possibly unjust. It is absurd.
Huge sums of money are at stake, and it affects all of us.
A minefield tailor-made for Felicia Zeller.
What path does an application take? Why are claims rejected, the burden of proof reversed? Who holds interpretive authority over conditions that are hard to read yet deeply distressing, such as long Covid? What is an F diagnosis that can doom my application? And what happens after an objection is filed and before the case reaches the social court?
This is where unusual people and unusual cases come together: in the social court.
Felicia Zeller is one of the most successful and frequently performed playwrights of our time.
She has received numerous awards, including the Else Lasker-Schüler Prize, primarily for her dramatic work, and has developed a highly distinctive style: a highly musical—and therefore highly comic—tangling of language, with speech itself becoming an expression of social and psychological overload.
The sociotopes of her plays include job-creation schemes, fertility clinics, offices, and public authorities—Kafkaesque worlds.
Many of her plays have been nominated for the Mülheim Dramatists’ Prize, including
The Tax Authority, which Christoph Diem premiered in Braunschweig in 2019.
Felicia Zeller has been connected for over twenty years through continuous collaboration with Christoph Diem, actress-director Ursula Thinnes, and former artistic director Dagmar Schlingmann.
Running time: approx. 2 hours 35 minutes, one intermission.
Tag der Ansteckung
von Felicia Zeller
Regie: Christoph Diem, Bühne, Kostüme & Video: Florian Barth, Dramaturgie: Holger Schröder.
Mit: Tobias Beyer, Valentin Fruntke, Gertrud Kohl, Klaus Meininger, Götz van Ooyen, Saskia Petzold, Ines Schiller, Ana Yoffe.
Premiere am 23. Januar 2026
Dauer: 2 Stunden 35 Minuten, keine Pause
www.staatstheater-braunschweig.de
Critique
24. Januar 2026. Ein kleiner Husten. Ein leichter Schnupfen. Nichts Großes. Aber die Symptome der ehrenamtlichen Richterin Lydia L hängen als große bedrohlic
www.nachtkritik.de
AI Summary:
Felicia Zeller’s new play Day of Infection, premiered at the Staatstheater Braunschweig in a production by Christoph Diem, tackles the realities of Long Covid—more specifically ME/CFS—through the frame of a courtroom drama.
At the center is the case of nurse Elke E, who hopes a legal ruling will finally secure recognition of her illness and her inability to work.
Notably, Elke herself never appears on stage; confined to her bed, her fate is debated in her absence.
Zeller focuses on the failures of the healthcare and insurance systems, exposing how sufferers are dismissed, pathologized as psychologically ill, or pushed through harmful rehabilitation programs.
True to Zeller’s style, the play operates at the fracture points of malfunctioning systems, using fragmented, verb-less language and sharp repetition.
While the accumulation of facts and legal details can at times feel dry or didactic, the Braunschweig ensemble brings wit, energy, and nuance to the text, preventing it from becoming merely documentary.
Florian Barth’s flexible stage design—conference tables constantly rearranged into an increasingly chaotic maze—visually mirrors the bureaucratic entanglements faced by patients.
Balancing advocacy and satire, Day of Infection emerges as both a passionate plea to take Long Covid seriously as a physical illness and a darkly comic courtroom grotesque that lays bare the structural failures of the healthcare system.